Finally, a documentary about Filipino cuisine is launched to the gastronomical delight of food and film critics. Filipino-American documentary filmmaker Alexandra Cuerdo helms ULAM: MAIN DISH. With this, she has deliciously concocted not only an immersion into Filipino cuisine but also an exploration of Filipino culture. It is also a study of the Filipino migrant experience and even a side trip into the history of Philippine politics and government.
Category: Movie Reviews
THE ISLAND THAT ALL FLOW BY is an unconventional love story between a money-desperate toll booth collector and a puerile truck driver. This TV movie, written and directed by Chan Ching-lin, shines in all aspects with its delicate restrained scripting and excellent performances. It premiered on CTV and CTI Entertainment in April 2016.
Actions speak louder than words in Tsai Ming-liang’s third of his trilogy on urban isolation and loneliness, a confrontational drama involving a father-son entanglement. THE RIVER is known to be the “bleakest” work of the master auteur, and this masterpiece is quite a highlight at the Taiwan Film Festival 2019 in Sydney, Australia.
Filmed in grainy 16mm, Lim Lung Yin’s OHONG VILLAGE is a modern-day retelling of a disconnected and discontented filial relationship in a small ebbing fishing village. The decision to use film gives this drama a vintage quality to it that is Euro-style reflective and melancholic.
You know you are watching a film from a master perfectionist when everything is seamlessly interconnected and plausible no matter how improbable and far-fetched it could have been. In PARASITE, South Korean auteur filmmaker Bong Joon-ho has just done that.
Oscar season is upon us once again and it’s time to enjoy the year’s best in films. The following are my Oscar choices for the main categories, with my ranking for each and an explanation of my choices.
It is the end of another year of wonderful cinema and here is my list of the best films of this year. All the films got my five stars. Catch them on Netflix or Blu-Ray or free-to-air when you can.
There is a lot of trepidation in Hollywood in handling unsure material as CRAZY RICH ASIANS can attest. The last time an all-Asian cast modern-day Hollywood film was made was 25 years ago in 1993 with THE JOY LUCK CLUB, earning modest critical and box office success.
Here are my reviews of blockbusters that graced Sydney cinemas during this autumn-winter period — all escapist, mega-budgeted, CGI-heavy, star-studded behemoths with an endless credit roll. These are films you watch on the big screen complete with surround sound plus popcorn and soda… treat yourself to these guilty pleasures!
Oscar season is upon us and since I’ve seen most of the contenders, I’m sharing my quick reviews and rank them from my least to most favourite!