Festival Reviews

JAPANESE FILM FESTIVAL 2023 – OPENING NIGHT FILM – WE’RE BROKE, MY LORD!

It seems like a wacky but possible idea. Koshirо̄, an ordinary man, inherits a lofty kingdom only to realise that it is in enormous debt, and his goal is to save it from bankruptcy like his life depends on it. With all its challenges to be both funny and timely, this period comedy from director Tetsu Maeda is finely crafted, incorporating modern humour techniques that work well for the screen.

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Movie Reviews

DOLLY DE LEON’ S ACTING PROWESS IN TRIANGLE OF SADNESS

It is a combined understated yet over-the-top performance from an unassuming role of a cruise yacht “toilet manager” Abigail turned authoritative cougar captain on a desert island. Still, Dolly de Leon meets these acting challenges and delivers an unforgettable cinematic performance in Ruben Östlund’s dark Swedish social satire TRIANGLE OF SADNESS. The 2022 Cannes Palme d’Or winner is a re-examination of class struggle and social manners and is broken into three parts, with the best shock saved for last.

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