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JAPANESE FILM FESTIVAL 2023
OPENING NIGHT FILM
WE'RE BROKE, MY LORD!

It seems like a wacky but possible idea. Koshirо̄, an ordinary man, inherits a lofty kingdom only to realise that it is in enormous debt, and his goal is to save it from bankruptcy like his life depends on it. With all its challenges to be both funny and timely, this period comedy from director Tetsu Maeda is finely crafted, incorporating modern humour techniques that work well for the screen.

www.japanesefilmfestival.net

At the heart of its believability is the naturally endearing performance of Kamiki Ryunosuke as Koshirо̄, a crucial character as he has to be likeable and naive simultaneously, uniting mistrusting elements of his family, and eventually emerge as a leader. The supporting leads perform well as an ensemble, with the right blend of comic charm and drama. Hana Sugisaki, as Sayo, the feisty girl neighbour of Koshirо̄, provides the right chemistry as the love interest and sidekick.

The period piece storyline flows with enough highs and lows to keep the contemporary audience attuned. It is not what it seems when one moves into a family of power and supposed wealth. Life does not necessarily become better, and stress-wise, it can even get worse. Koshirо̄’s father, Daimyo Ikkosai, has never been really forthright on his intentions with his son. And yet, familial support can be found in unexpected places. Koshirо̄’s good relationship with his brothers, for instance, has been pivotal to supporting his plans, and their moments together are also quite moving scenes in the movie.

In essence, the film is a Japanese fable of determination and entrepreneurship amidst the corruption and politics of the powers that be. What is explored in this Japanese tale of group unity and focus is the underlying Japanese psyche of individual perseverance, hard work and ingenuity. And these noteworthy national attributes are valuable trait qualities for the rest of the world as well.

It was a great opening night film for this year’s Japanese Film Festival at the Palace Norton cinemas.

The Japanese Film Festival hosted a nice reception for the flm.

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Picture of Rolmar Baldonado

Rolmar Baldonado

Films for the cineaste. Were you moved, transported? Did you laugh, cry? Was it cathartic? Were you disturbed, affected, riveted? Did it make you think? Freelance film editor, cineaste and cinephile Twitter: @film_critik Twitter: @rolmar Facebook Page: https://www.facebook.com/filmcritik/

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